STATEMENT

My practice investigates the body as a site of memory, tension, and knowledge – and what happens to it under the pressure of social, religious, and cultural systems that demand conformity at the cost of feeling. At the core of my work is a question about the human condition: what remains of a person when the forces that shape them have done their work.

Working across figurative and organic sculpture, mixed media installation, and photography, I explore corporeality and embodiment – the body as something that absorbs history, holds memory, and insists on being felt. My sculptural forms are biomorphic and visceral, often dreamlike: they carry the logic of the body rather than the logic of representation.

I am drawn to what gets lost when we adapt – when spontaneity is replaced by function, and the connection to one’s own physicality is gradually suppressed by shame and expectation. My work engages with fragility, intimacy, and the tension between presence and containment.

I work from a female perspective. My work addresses how female sensuality is easily sexualized, misread, erased, or consumed – and aims to show it instead as a vital, creative, embodied force, challenging the reflex to sexualize or flatten expressions of sensuality in any body.

The bodies in my work are not presented as objects to be looked at. They exist to feel and to be – carrying vulnerability, authenticity, and presence. Through poetic and surreal forms, my work makes visible the tension between aliveness and cultural containment: tangible, specific, and impossible to ignore.